Welcome to the Doll House, 2005

Mixed media installation, dimensions variable

The installation depicts notions of "home" through layers of "place" (ie. house, the universe). Viewers are invited to daydream invented constellations (made from Christmas lights)  inside a child's tent perched in a livingroom.

Aggression Mapping, 2004-Present

Mixed media, four panel pairs (8 x 4 ft. each)

Combines mental and physical topographies through documented dialogues between the artist's thoughts (within a certain day) and the viewers' scratched graffiti reactions.

The Surrogate, 2004

Mixed media, performance, and video installation, dimensions variable

The ritual of hair brushing is performend by the artist and a voluntary participant while others watch, addressing social relations between tenderness and threat through the comforting yet voyeuristic exchange between strangers. 

Dorothy and Alice do Wonderland U.S.A., 2004

Mixed media installation, dimensions variable

Examines architectures of play, surveillance and consumption by fusing the two-way mirror, the panopticon, and the amusement park. Viewers engage with play stations that are constructed of pop culture paraphernalia. Encouraged to dress as fairy tale protagonists (Dorothy and Alice), the viewers movements are observed by non-participants.

Yellow Brick Road, 2003

Site-specific installation and performance

An obesssive-compulsive Dorothy rebuilds the yellow-brick road to return to Oz, while a mime hands out fortunes on slips of paper, and a Dadaist figure recites random passages from a novel. The absurdist performance illustrates the language schisms that occur between the myths and actualities of  "the American Dream."

Model Homes - Cloud House, 2002

Mixed media installation, dimensions variable

Nomadic modular housing unit that reflects utopian fantasies of escape, purity, and desire for new beginnings.

Ascension, 2002

Mixed-media installation, 3 x 4 x 7 ft.

The viewer jumping on a trampoline is temporarily suspended on a cloud dust of baby powder while a fish in a bowl perches precariously on a diving board playfully enacting the complex and sometimes absurd relations between man and nature through the collision between suburbia and the sublime.